My only crime is to have been born and living on the streets or being abandoned. I didn’t ask to be born, and despite your indifference and your beatings, the only thing I ask of you is whatever is left of your love. I don’t want to suffer anymore, surviving the world is only a matter of horror! Help me, please!
Peluso.
In the late 1990s, as the 70-year single-party rule of the PRI came close to crumbling apart, desperate architectural measures were taken to provide a fresh layer of self-legitimizing spatial balm. A common feature in the party's attempted expiatory landscape was the monument to Colosio, the officialist presidential candidate murdered while running for office in 1994, in the dusty hills on the outskirts of Tijuana.
The PRI loves monuments. The party was born out of the need to incorporate post-revolutionary dissidence and end bloodshed. Monumentalization was a great strategy. Once dead, anyone could fit into the great "Revolutionary Family" and have a statue dedicated to them.
"Plastic integration" (i.e. architectural pastiche incorporating various techniques —scuplture, muralism, etc.— and styles in a single project) is often considered one of the peculiar features of Mexican modernism. But another defining trait is political integration (or co-option). After all, architecture is also frozen (and usually falsified) politics.
